The


Gothic


Novel

Definition of "Gothic"

The three meanings of the term "gothic" were coined in the 18th century, when it became more mainstream.

Medieval
With the 18th century came a change in the view of the mediaeval period. Richard Hurd, “Letters on Chivalry and Romance”. The term becomes neutralised, an adjective used to describe something mediaeval without prejudice.

Supernatural
 “The Castle of Otranto” and Clara Reeve's “Old English Baron” were considered gothic stories, meaning they were mediaeval. The atmosphere was that of the middle ages, with the presence of castles, haunted towers, underground passages, knights in armour and magic. But to readers the feature that was most interesting wasn’t the setting, but the supernatural aspects. Consequently, the following “imitations” of the gothic novel focused more on the paranormal themes, for example “The Ghost Seer” by Schiller, which included themes of necromancy and spiritualism (a metaphysical belief that the world is composed of two substances; matter and spirit). And Vathek by Beckford (that combines the popular Orientalism movement with the gothic novel), which sees the presence of Djinns (pre-islamic supernatural beings, usually invisible, similar to the English genie).

Barbaric
Deriving partially from how the French refer to the Middle Ages (les siècles gothiques), which was later taken by the English, and interpreted as “barbaric” , but the connotation mostly derives from the Renaissance. An example of this use is Johnson in 1775, who defined a Goth in his Dictionary as "one not civilised, one deficient in general knowledge, a barbarian". Most often this usage is in connection with ignorance, cruelty, or savageness - qualities associated with the Renaissance view of the middle ages. In 1711 Addison writes in the Spectator:
                         " I look upon these writers as Goths in Poetry, who, like those in Architecture, not being able to come   
                            up to the beautiful simplicity of the old Greeks and Romans, have endeavoured to supply its place with all the                             extravagance of an irregular Fancy."

Origins of the gothic novel

The main elements of the gothic novel had already been present in folklore, popular culture and also important texts such as Hamlet and Macbeth by Shakespeare and Paradise Lost. Horace Walpole called his novel, “Castle of Otranto" a " Gothic story," on its title page, which associated the term with a certain type of novel.

Frankenstein

Born the 30th of August 1797 in London, Mary Shelley is a renowned writer, best known for her novel "Frankenstein".
According to the Romanian historian Radu Floresco, the title of the novel was inspired by "Burg Frankenstein", where the alchemist Johann Konrad Dippel lived. It is said that Mary visited the German castle during a European trip.  
In the introduction of the book, Shelley states that she intended to "awaken thrilling horror". This horror is potrayed through suspence, panic and persecution.
As the original title suggests (Frankenstein, or The Modern Prometheus" ), the novel is a retelling of the greek myth surrounding the god of fire. It also indirectly refrences the industrial revolution, through themes of scientific discovery and the power and ambition of men.
In 18th century Europe, Captain Robert Walton leads an expedition to the Arctic. His crew discovers a lone man, Victor Frankenstein, seemingly on the brink of death. The scientist the shares his tale:  he was an ambitious young scientist that became consumed by the idea of acheiving immortality. Driven by a thirst for knowledge, he devotes himself to the study of alchemy and natural philosophy. Through his experiments, he becomes interested in the concept of creating life from inanimate objects, he then pieces together a creatutre from scavenged body parts in his laboratory. When he succeeds in animating his creation, however, he is horrified by its monstrous appearance and escapes, terrified. The creature, abandoned and alone sets out into the world, seeking companionship, but he is rejected by society for his appearance and becomes lonley and desperate because, despite his gentle nature, he is greeted by fear. This affects him deeply, and he vows revenge upon his creator for bringing him into a world that despises him. Frankenstein, regretting his reckless chioces, embarks on a quest to hunt him down. Their paths meet for the last time in the Arctic: as Frankenstein confronts his creation, he is forced to confront himself. In the end, both the creator and creature die.

Other gothic novels

DRACULA - BRAM STOKER
1897
"Dracula" by Bram Stoker is a gothic horror and epistolary novel published in 1897. IIt follows the story of Count Dracula, a vampire who invites the solicitor Jonathan Harker to Transylvania. He flees after discovering the Count's supernatural nature.  Dracula then moves from Transylvania to England to spread the undead curse. It is narrated through a series of journal entries, letters, and newspaper articles, detailing the efforts of a group of characters, including Jonathan Harker, Mina Murray, and Professor Abraham Van Helsing, to defeat Dracula.


THEMES
The novel explores themes of sexuality, immigration, and the struggle between good and evil.

THE CASTLE OF OTRANTO - HORACE WALPOLE
1764
Set in the medieval castle of Otranto in southern Italy, the novel tells the story of Manfred, the tyrannical lord of the castle, who seeks to secure his family line by marrying his son Conrad to Isabella, the daughter of a local peasant. However, Conrad is mysteriously killed on his wedding day when a gigantic helmet falls from the sky. Manfred then becomes obsessed with marrying Isabella himself, leading to a series of supernatural events and dark revelations about the castle's history.


THEMES
The novel is characterized by its eerie atmosphere, plot twists, and elements of horror and romance.

CARMILLA - SHERIDAN LE FANU
1872
The story revolves around a young woman named Laura, who lives with her father in a remote castle in Styria. Their peaceful life is disrupted when a carriage accident brings a mysterious girl named Carmilla to their doorstep. Despite some strange occurrences and Laura's growing suspicions, she becomes infatuated with Carmilla, however, it is revealed that she is actually a vampire preying on young women of the area. Laura's health begins to deteriorate, and with the help of her father and some friends, they uncover Carmilla's true identity and attempt to stop her before it's too late.

THEMES
The book explores themes of forbidden desire, sexuality, and the dangers of the unknown.